10 systems 20 / 18 27 / 18/18 27 / 18/18 27 / 18/18 10/18 27 / 18 27 / 18 10 /
title Johann Sebastian Bach,  famous fugue-themes
pagenum
leftfoot Arranged for piano by Peter Billam
midi channel 0 patch 0
/
4 bars | 2# 4 4 4 4 4 4 4 4 4 3 4 7 4 4 4 3 \
 | 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 4 \
 | 4 4 4 7 4 4 4 4 5 5 5 5 5 5 5 4 | 11
| 4.8
Il0.7 Fuge in C major from WTC Book 1   BWV846
=1' 4. blank 1 rest'
=1, treble cha0 leg99 8 rest, [C D E] 8. [F 32 G F] leg80 8 [E A]
|
=1' 2 rest' 8 rest' [G A B]
=1, 8 [D G(2] 16 [G)2 A G F] [E F E D] [C D C B_]
|
=1' 8. [c 32 d c] 8 leg80 [B e] [A leg100 d(1] 16 [d)1 e d c]
=1, 8 leg80 [A_ leg100 F#] 4 G(2 8 [Gr)2 16 F# E] 8 leg80 [F D]
|
=1' 16 B
=1, 8 G

/
4 bars | 2# 6 6 6 6 6 8 5 | 8 8 6 6 8 8 8 5 \
 | 6 6 6 8 5 4 4 4 | 3 3 4 4 7 4 4 4 4 4 7 4 4 4 3 2 |
| 4.8
Il1.0 Fuge in B minor from WTC Book 1   BWV869
=1' treble 2# cha0 leg99 8 rest [F D B_] [G F] [B A#]
|
=1' 8 [E D#] [cn B] [F E#] [dn c#]
|
=1' 8 [B# c A F] 2 G#-tr
|
=1' 8. [F 16 E#] [F G# A c] [B G A cn] 4 f
=1, 8 rest,, [B_ A_ F_] [D B_] [En D#]
/
5 bars | 2# 8 6 6 6 8 6 8 5 | 4 4 3 3 3 3 3 3 4 4 4 4 4 3 4 3 \
 | 4 7 7 4 4 4 7 4 4 4 3 3 4 4 3 2 | 8 6 8 6 8 8 8 5 | 7
|
=1' 4 e d c# B(1
=1, 8 [A_ G_#] [Fn E] [B_ A_#] [Gn F#]
|
=1' 8 [B)1 A#] 4 B(1 16 [B)1 c d e] [f g B A]
=1, 8 [E# F D B_] 2 C-tr,
|
=1' 2 d(1 8 [d)1 cn B d#]
=1, 16 [B_ F G# A#] [B c F E#] 2 An(2
|
=1' 2 e(1 8 [e)1 dn c# e#]
=1, 8 [A)2 Gn F A#] 2 B(2
|
=1' 8. f
=1, 8 B)2

/
9 bars | 2/2 20 19 | 22 19 | 11 12 10 9 | 22 19 | 11 10 10 10 \
 | 11 10 10 10 | 22 19 | 11 11 11 10 | 5 5 7 7 5 5 7 6 |
| 4/4 .26 .25 .26 .243 .26 .247 .26 .24
Il0.7 Fuge in D minor from Toccata and Fugue (Dorian)   BWV538
=1' treble  2/2 cha0 cc11=90 2 blank 1 rest'
=1, treble  2/2 2 leg90 D E
|
=1' 2 blank 1 rest'
=1, 4 leg70 F D 2 G(2
|
=1' 2 blank 1 rest'
=1, 4 G)2 F 2 Bb(2
|
=1' 2 blank 1 rest'
=1, 4 B)2 A 2 d(2
|
=1' 2 blank 1 rest'
=1, 4 leg80 d)2 2 c 4 Bb(2
|
=1' 2 blank 1 rest'
=1, 4 B)2 2 A 4 G(2
|
=1' 2 blank 1 rest'
=1, 4 G)2 F 2 E-tr,
|
=1' 2 A Bn
=1, 4 leg90 D C D E
|
=1' 4 c A 2 d(1
=1, 4 A_ 8 [A G] 4 F 8 [E D]
/
9 bars | 6 5 6 5 6 5 7 6 | 6 5 6 5 6 5 7 6 \
 | 7 7 7 7 7 7 7 6 | 7 7 7 7 6 5 5 5 \
 | 11 11 12 10 | 6 6 6 5 6 5 7 6 \
 | 11 14 11 10 | 11 14 11 10 | 9
|
=1' 4 leg70 d)1 c 2 f(1
=1, 4 leg70 E A_ leg90 A 8 leg99 [G F]
|
=1' 4 leg70 f)1 e 2 a(1
=1, 4 leg70 G C leg99 c 8 [B A]
|
=1' 4 leg90 a)1 2 g 4 f(1
=1, 8 leg99 [B c leg70 B e] leg99 [A B leg70 A d]
|
=1' 4 leg90 f)1 2 e 4 d(1
=1, 8 leg99 [G A leg70 G c] leg90 2 F
|
=1' 4 leg90 d)1 c 2 B-tr
=1, 4 leg70 E 2 leg95 A 4 G#
|
=1' leg70 4 A c 2 leg90 2 f(1
=1, leg99 2. Ar 8 [Gn F]
|
=1' leg99 4 f)1 8 [e d] 4 leg70 e A
=1, leg70 4 G C 2 F(2
|
=1' leg95 2. d 4 c#
=1, leg99 4 F)2 8 [E D] 4 leg70 E A_
|
=1' leg99 8 d
=1, leg95 2. D

/
3 bars | 2b 4 4 4 4 5 5 5 5 6 6 6 6 5 5 5 4 \
  | 6 8 6 6 5 5 6 8 5 5 5 5 5 5 5 4 \
  | 12 12 10 12 10 10 10 9 |
| 2.4
Il1.4 Fuge in G minor from Fantasia and Fugue for Organ    BWV542
=1' treble  2b cha0 4 rest' 8 rest' d 16 [B c A B] 8 [G g]
=1, treble  2b 2 blank 1 rest,,
|
=1' 16 [f# g en f] 8 [d 16 g d] 8 [eb c Fn fn]
=1, 2 blank 1 rest,,
|
=1' 16 [d e c d] 8 [B 16 e B] 8 [c A D d]
=1, 2 blank 1 rest,,
/
3 bars | 6 6 6 6 6 6 6 6 6 8 6 6 6 6 6 5 \
  | 6 8 6 6 5 5 6 8 5 5 5 5 6 5 4 4 | 12 12 10 12 11 10 10 8 |
|
=1' 16 [B c A B] [G A B c] 8 [d en] 16 [f g f g]
=1, 4 rest,, 8 rest,, 8 G 16 [F G En F] 8 [D d]
|
=1' 8 [a en] 2 f 4 en(1
=1, 16 [c# d Bn c] 8 [A 16 d A] 8 [Bb G Cn cn]
|
=1' 4 en)1 2 d 4 c#
=1, 16 [A B G A] 8 [F 16 B F] 8 [G En A_ A]
/
4 bars | 6 9 6 6 6 6 6 7 6 6 6 6 6 6 6 5 | 6 6 6 6 6 6 6 6 6 6 6 8 6 6 6 5 \
 | 6 6 6 6 9 6 9 9 9 6 5 6 6 6 6 4 | 10
|
=1' 4 d 8 rest' d 16 [cn d B c] [A B c d]
=1, 16 [F G En F] [D E F G] 8 [A G F# D]
|
=1' 16 [B c A B] [G A B c] [A B G A] [F# A G B]
=1, 8 [G Fn Eb D] [C E D En]
|
=1' 16 [A c B d] [c eb d fn] [en f# 8 g(1] 16 [g)1 g 8 f]
=1, 8 [F# G A B] 8. [c 16 B] 8. [A 16 A]
|
=1' 4 g
=1, 8 G

/
9 bars | 1b 30 | 30 | 15 22 | 4 4 4 4 6 6 6 4 \
 | 10 10 10 8 | 5 5 10 7 6 7 5 4 \
 | 6 6 6 5 6 6 6 5 | 6 6 6 5 6 6 11 5 | 10
| 2/2 2.6
Il0.7 Die Kunst der Fuge    BWV1080   1742
=1' treble  1b cha0 leg95 smb rest
=1,         1b cha0 leg95 2 D A
#=2' bass    1b cha0 leg95 smb rest
#=2,         1b cha0 leg95 smb blank
|
=1' smb rest
=1, 2 F D
#=2  smb rest
|
=1' smb rest
=1, 2 C# 4 D E
#=2  smb rest
|
=1' smb rest
=1, 2 F(2 8 [F)2 G F E]
#=2  smb rest
|
=1' 2 A d
=1, 4 D E F G
#=2  smb rest
|
=1' 2 c A
=1, 4 A 8 [A_ B_n] [C A_] 4 F(2
#=2  smb rest
|
=1' 2 G#rl 4 A Bn
=1, 8 [F)2 B_n] 4 E(2 8 [E)2 F E D]
#=2  smb rest
|
=1' 2 c(1 8 [c)1 d c Bb]
=1, 4 E F# 2 G(2
#=2  smb rest
|
=1' 8 A
=1, 4 Gr)2
#=2, 2 d

/
9 bars | 3b 2/2 4 | 4 | 4.2 | 4 | 4 | 1 1.2 1 1 | 1.2 1.6 1 1 | 4 | 1.5
| 2/2 2.0
Il0.8 Das Musikalische Opfer   BWV1079   1747
=1 treble cha0 3b 2/2 2 c e
|
=1 2 g a
|
=1 2 Bn, 4 rest g
|
=1 2 f# fn
|
=1 2 en eb(2
|
=1 4 e)2 d db c
|
=1' 4 Bn 8 [An G] 4 c f
|
=1' 2 e d-tr
=1 smb rest,
|
=1' 4 c
=1 smb rest,

midi pause 2.0

6 systems 35 / 19-25-19/19-25-19 35 \
 / 19-35-19/19-40-19/19-35-19/19-35-19 10 /
title Wolfgang Mozart
pagenum
innerhead W. A. Mozart
leftfoot Arranged for piano by Peter Billam
midi channel 1 patch 50
midi channel 2 patch 51

/
4 bars | 6 6 7 11 6 6 7 11 | 10 10 10 12 | 5 4 5 6 5 4 5 5 | 9 9 9 10 |
| 1.7
Il1.4 Symphony in C   K.V.551   1788
=1 treble cha0 vol110 \
 4 <c c~> 8 rest 163 [g a-I3 b] 4 <c c~> 8 rest 163 [g a-I3 b] 
I0.5 .01 f
i0.5 .10 Allegro vivace
=2' bass   cha0 vol110 \
 4 <C c> 8 rest 163 [G A-I3, B] 4 <C c> 8 rest 163 [G A-I3 B] 
|
=1 4 <c c~> rest vol65 rest 8 rest c
I0.5 .70 p
=2 4 <C c> 4 rest vol65 2 rest treble
|
=1 4. c 8 B 4. d 8 c
=2' 1 G
=2, 2 <Dr F> <C E>
|
=1 2 g{1 4 f}1 rest
=2 2. <B_ D G> 4 rest bass
/
4 bars | 2 2 2 1 2 1 2 2 2 4 6 4 2 2 2 1 2 1 2 2 2 4 6 3 \
 | 10 10 10 12 | 5 4 5 6 5 4 5 5 | 9 9 9 10 |
|
=1, vol110 4 <G g> 8 rest 163 [d e-I3 f#] 4 <G g> 8 rest 163 [d e-I3 f#] 
I0.3   f
=2  vol110 4 <G g'> 8 rest 163 [d e-I3 f#] 4 <G g'> 8 rest 163 [d e-I3 f#] 
|
=1, 4 <G g> rest vol65 rest 8 rest d
I0.5 .70 p
=2' 4 <G g> 4 rest vol65 2 rest treble
|
=1 4. d 8 c 4. g 8 f
#=2' 2 rest' B
=2' 2 <E G> <D G B>
#=2, 2 E D
|
=1 2 <f a{1> 4 <e g}1> rest
=2' 2. <C c> 4 rest bass
midi pause 1.5

/
4 bars | 3b 4/4 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1.3 \
 | 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1.3 \
 | 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3.5 | 1 1 1 1 1 1 1 1.3 1 1 1 1 1 1 1 1.3 |
| 2/2 1.0 1.0 1.5 0.9
Il1.1 Die Zauberflöte     1791
=1  treble 3b 2/2 cha0 vol110 leg95 \
 2 <E G B' e'> 4 rest-fermata 8. rest smq <G, c e g>
i0.5 .01 Adagio
=2, bass  3b 2/2 cha0 vol110 leg95 2 <e g b> 4 rest-fermata 8. rest smq <c c~>
|
=1, 2 <G c e g> 4 rest-fermata 8. rest smq <B e g b>
=2, 2 <c c~> 4 rest-fermata 8. rest smq <G g>
|
=1 2 <B, e g b> 4 rest-fermata cha0 vol70 \
 8. rest dsq3 [B'-s5 A-s4-I3, G-s4]
=2, 2 <G g> 4 rest-fermata cha0 vol70 rest
| 2/2 4.0
=1 4 <C E Fx> 2 <C E Fx> 4 <C E Fx>
=2' 4 a 2 a 4 a
=2, 4.. A smq c 4.. e smq  c
/
4 bars | 3b 4 5.5 4 4 | 1 1 1 1 1 1 1 1.3 1 1 1 1 1 1 1 1.3 \
 | 1 1 1 1 1.3 1.8 1.3 1.3 1 1 1 1 1 1 1 1 \
 | 1 1 1 1 1 1 1 1.5 1 1 1 1 1 1 1 1.5 |
|
=1' 2 <c e fx> 2 rest'
=1, 4 rest,, smq rest, [A c A] 4 F <C Ex F>
=2' 4 rest' 2 <a c~ e~> 4 a
=2, smb A
|
=1 4 <Db Ex G> 2 <Db Ex G> 4 <Db Ex G>
=2' 4 b 2 b 4 b
=2, 4.. B smq db 4.. g smq  d
|
=1' 2 <db ex g> 4 rest' G
=1, 4 rest,, smq rest, [B db B] 4 G E
=2' 4 rest' 2 <b d~b e~x> 4 <b d~>
=2, 2. B rest,
|
=1' 4 A 8. rest smq A 4 G 8. rest smq G
=1, 4 E 2 E 4 E(2
=2, 4 c~ 8. rest smq c~ 4 b 8. rest smq b
/
4 bars | 3b 2.6 2 2 2 2 2.3 2 2 | 1 1 1 1 1 1 1 2.5 1 1 1 1 1 1 1 1.3 \
 | 2.6 2 2 2 2 2.7 2 2 | 1 1 1 1 1 1 1 2.5 1 1 1 1 1 1 1 1.3 |
|
=1' 2 F 4 rest' G
=1, 8 Er)2 4 E E E 8 E(2
=2' 8 rest'' 4 c~ c~ 8 c~ 4 rest'''
=2  2 a 4 rest, b
|
=1' 4 A 8. rest smq A 4 Gb 8. rest smq G
=1, 4 E)2 2 E 4 E(2
=2, 4 c~ 8. rest smq c~ 4 b 8. rest smq b
|
=1' 2 F 4 rest' Gn
=1, 8 Er)2 4 E E E 8 E(2
=2' 8 rest'' 4 c~ c~ 8 c~ 4 d~b
=2  2 an 4 rest, b
|
=1' 4 A 8. rest smq A 4 An 8. rest smq A
=1, 4 E)2 2 E 4 E
=2, 4 c~ 8. rest smq c~ 4 c~b 8. rest smq c~
/
4 bars | 3b 16 | 16 | 16 || 4 4 4 5 |
|
=1' leg85 4 <Dn B> vol110 2 <D B-emph> vol80 leg95 4 <D F B>
=2, leg85 4 b      vol110 2 <B b-emph> vol80 leg95 4 b
|
=1' 2 rest' gb
=1, leg85 4 <E Gb c> vol110 2 <C E Gb c-emph> vol80 leg95 4 <Gb e>
=2, leg85 4 an       vol110 2 <An e-emph>     vol80 leg95 4 <an c~>
|
=1' 2 <e fx(1> vol90 <d f)1>
=1, 4 F <Ex F> vol90 <D B> <D F>
=2  4 <b e~> vol90 B <B, ab> vol100 B
| 2/2 76
i0.6 .15 Allegro
=1' 4 e-. rest' 2 rest'
=1, vol80 8 [E-., 8-s E-., E-., E-.,] [E-., E-.,] vol110 16-s [F{1 E D E}1]
I0.1  p .69 f
=2, 4 <e g> rest 2 rest

midi pause 2.0

7 systems 25 / 19-30-19/ 19-25-19/19-25-19 30 \
 / 19-30-19/ 19-32-19 3/ 19-25-19/ 19-27-19 5/
title Ludwig van Beethoven
pagenum
leftfoot Arranged for piano by Peter Billam
midi channel 0 patch 0
/
8 bars | 3b 2/4 48 | 40 | 48 | 40 | 42 | 48 | 48 | 48 |
| 0.8
Il1.5 Fifth Symphony
Il0.7 .01 Op.67  1807
=1, treble 3b 2/4 cha0 vol120 8 rest [<G g> <G g> <G g>]
I0.5 .21 ff
=2' bass   3b 2/4 cha0 vol120 8 rest [<G g> <G g> <G g>]
i0.2   das Schicksalsmotiv !
| 1.8
r1.0 .61 (see also Op.2 no.2, Op.57 etc)
=1' 2 <E e-fermata>
=2' 2 <E e-fermata>
| 0.8
=1, 8 rest [<F f> <F f> <F f>]
=2' 8 rest [<F f> <F f> <F f>]
|
=1' 2 <D(2 d(1>
=2' 2 <D(3 d(1>
| 1.8
=1' 2 <D)2 d)1-fermata>
=2' 2 <D)3 d)1-fermata> treble
| 0.8
=1 vol60 leg95 2 rest
I0.5 .06 p
=2 vol60 leg95 8 rest [G G G]
|
=1, 8 rest, [A A A]
=2  2 <C(2 E(1>
|
=1' 8 rest' [e e e]
=1, 2 G(2
=2  2 <C)2(2 E)1(1>
/
8 bars | 3b 40 | 48 | 48 | 48 | 40 | 48 | 48 | 48 |
|
=1' 2 c(1
=1, 2 G)2(2
=2  2 <C)2(2 E)1>
|
=1' 4 c)1 rest'
=1, 2 G)2
=2' 8 rest [G G G]
=2, 2 C)2
|
=1, 8 rest, [A A A]
=2  2 <B_n(2 D(1>
|
=1' 8 rest' [f f f]
=1, 2 G(2
=2  2 <B_n)2(2 D)1(1>
|
=1' 2 d
=1, 2 G)2(2
=2  2 <B_n)2(3 D)1(1>
|
=1' 8 rest' [g g f]
=1, 2 G)2
=2  2 <B_n)3 D)1> bass
|
=1' 2 e
=1, 8 rest, [E E F]
=2  2 c~
|
=1' 8 rest' [g g f]
=1, 2 G
=2  2 bn
/
8 bars | 3b 48 | 48 | 44 | 44 | 44 | 48 | 40 | 40 ||
|
=1' 2 e
=1, 8 rest, [E E F]
=2  2 c~
| 0.95
=1, 8 G vol120 [<d g> <d g> <d f>]
I0.5 .25 mf
i0.5 .58 cresc . . .
=2  8 bn [<Bn, g> <B, g> <B, g>]
|
=1, 4 <G c e> rest
=2, 4 <c g> rest
|
=1, 4 <Er F#x c> rest
=2, 4 <A a> rest
| 1.8
=1' 2 g
=1, 4 <Bn d> rest,-fermata
=2' 4 <G g> rest-fermata
| 1.0
=1, 8 rest [<A a> <A a> <A a>]
I0.4 .04 ff
=2' leg85 8 rest [<A_ A> <A_ A> <A_ A>]
|
=1' 2 <F(2 f(1>
=2' 2 <F_(2 F(1>
| 1.8
=1' 2 <F)2 f)1-fermata>
=2' 2 <F_)2 F)1-fermata>

midi pause 1.5

/
8 bars | 1b 12 12 12 10 | 12 14 12 10 \
 | 12 12 12 17 | 35  \
 | 12 12 12 10 | 12 16 12 10 \
 | 12 12 12 10 | 12 16 12 10 |
| 1.2
Il1.3 Sixth Symphony
Il0.5 .01 Op.68  1808
=1, treble 1b cha0 leg105 vol70 8 rest [A B d]
I0.5 .02 p
i0.3 .25 Allegro ma
=2  bass   1b cha0 leg105 vol70 2 <F(2 c(1>
|
i0.9 .60 Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
=1' 8 [c 16 B A] 8 [G C]
i0.3 non troppo
=2  2 <F)2(2 c)1(1>
|
=1' 8 [F <E G>] [<F A> 16 <G B> <F A>]
=2  2 <F)2 c)1>
| 1.9
=1' 2 <E G-fermata>
=2  2 <C c>
| 1.2
=1' 2 rest'
=1, 8 rest, [A_ B_ D]
=2' 4 f d
=2, 2 F(2
|
=1' 8 rest' 16 [G A] 8 [B G]
=1, 2 C(2
=2' 4. e 8 c
=2, 2 F)2
|
=1' 8 A rest rest B
=2' 4 f d
=1, 8  C)2 [A_ B_ D]
=2, 2 F(2
|
=1' 8 [G 16 G A] 8 [B G]
=1, 2 C
=2' 4. e 8 c
=2, 2 F)2
/
8 bars | 1b 11 11 11 10 | 10 10 10 10 \
 | 11 11 11 10 | 12 15 12 10 \
 | 11 11 11 10 | 10 10 10 10 \
 | 15 12 12 10 | 12 15 13 10 |
|
=1' 4 <C A> vol+8 <C F c>
i0.5 .30 cresc . . .
=2  4 <F f'> vol+8 a
|
=1' vol+8 4. <C E B> vol+8 8 <C F A>
=2  vol+8 4. g vol+8 8 f
|
=1' vol+8 4 <F B d> <C A c>
I0.5 .03 f
=2  vol+9 B f
|
=1' 8 [G 16 G A] 8 [B G]
=1, 2 E
=2  2 c
|
=1' 4 <C A> <C F c>
I0.5 .03 f
=2' 4 <F c f> <A c f>
|
=1' 4. <C E B> 8 <C F A>
=2' 4. <G c e> 8 <F f>
|
=1' vol75 4 <Br d> <A c>
=1, 8 [Dr E] 4 F
I0.5 .02 p
=2' vol65 4 fr 8 [f a]
=2, vol65 4 Br F
|
=1' 8 [G-. 16 G A] 8 [B Bn-.]
=1, 4. E 8 <D F>
=2  4. c 8 c
/
6 bars | 1b 12 12 12 10 | 12 12 12 10 |
|
=1, 4. E 8 <D F>
=1' vol+9 8 [c-. 16 G A] 8 [B Bn-.]
i0.5 .20 cresc . . .
=2  vol+9 4. <c, g> 8 c
|
=1, 4. E 8 <D F>
=1' vol+9 8 [c-. 16 G A] 8 [B Bn-.]
=2  vol+9 4. <c, g> 8 c
|
=1, 4. E 8 <D F>
=1' vol+9 8 [c-. 16 G A] 8 [B Bn-.]
=2  vol+9 4. <c, g> 8 c
|
=1, 4. E 8 <D F>
=1' vol+9 8 [c-. 16 G A] 8 [B Bn-.]
I0.3 .95 f
=2  vol+9 4. <c, g> 8 c
|
=1' 8 [c-. vol-11 16 G A] 8 [B Bn-.]
=1, 4. E 8 <D F>
i0.4 .20 dim . . .
=2  vol-11 4. <c, g> 8 c
|
=1' vol-11 8 [c-. 16 G A] 8 [B Bn-.]
=1, 4. E 8 <D F>
=2  vol-11 4. <c, g> 8 c
/
7 bars | 1b 12 12 12 10 | 12 12 12 10 | 12 12 12 10 \
 | 12 12 12 10 | 12 12 12 10 | 12 12 12 10 | 9
|
=1' vol-11 8 [c-. 16 G A] 8 [B Bn-.]
=1, 4. E 8 <D F>
=2  vol-11 4. <c, g> 8 c
|
=1' vol-11 8 [c-. 16 G A] 8 [B Bn-.]
=1, 4. E 8 <D F>
=2  vol-11 4. <c, g> 8 c
|
=1, 8 [c-. 16 G A] 8 [B Bn-.]
I0.3  pp
=2  8 c rest 4 rest
|
=1, 8 [c-. 16 A B] 8 [c c#-.]
=2, 8 rest 16 [a b] 8 [c~ c~#-.]
|
=1, 8 [d-. 16 B c] 8 [d e-.]
=2, 8 [d~-. 16 b c~] 8 [d~ e~-.]
|
=1, 8 [f-. 16 d e] 8 [f <G g-.>]
=2, 8 [f~-. 16 d~ e~] 8 f~ rest'
| .6
=1, 8 <A a>
=2 2 F

midi pause 2.0

5 systems 45 / 19-35-19/19-30-19 35/ 19-30-19/19-30-19/19-30-19 20/
title Franz Schubert,  String Quartet No.14 in D minor D810    1824
pagenum
leftfoot Arranged for piano by Peter Billam
/
6 bars | 1b 3 2 2 3 2 2 3 2 2 8 6 4 \
 | 9 8 8 8 | 3 2 2 3 2 2 3 2 2 6 8 4 | 8 8 8 14 \
 | 8 8 8 14 | 8 8 8 14 |
| 1.9
Il1.5 1st movement
i0.8 .05 Allegro
=1' treble 1b cha0 vol120 leg95 \
 2. <D d> 83 [<D cx d-.,> <D B d-.,-I3> <D A d-.,>]
I0.4 .01 ff
=2  bass 1b cha0 vol120 leg95 2. d' 83 [<d c~-.,> <d b-.,-I3> <d a-.,>]
|
=1' 4 <G d> rest 2 rest
=2, 4 <d g d~> rest 2 rest
|
=1' 2. <A d> 83 [<G d-.,> <F d-.,-I3> <E d-.,>]
=2, 2. <d a d~> 83 [<d g d~-.,> <d f d~-.,-I3> <d ex d~-.,>]
|
=1  4 d rest rest vol65 83 [F-., E-.,-I3 D-.,]
I0.6 .50 pp
=2, 4 <d d~> rest vol65 2 rest
|
=1  4 <D G> rest rest 83 [F-., E-.,-I3 D-.,]
=2' 4 <B f> rest 2 rest
|
=1  4 <D A> rest rest 83 [F-., E-.,-I3 D-.,]
=2' 4 <A f> rest 2 rest
/
8 bars | 24 | 32 | 18 | 6 6 6 8 | 24 | 32 | 18 | 18 ||
|
=1' vol75 2 <D B> <D d-emph>
=2' vol60 2 <G f> <B f-emph,>
|
=1' 4 <D B> <B D-.> <A D-.> <G D-.>
=2' 4 <G f> <G f-.,> <A f-.,> <B f-.,>
|
=1 1 <C(2 A>
=2 1 <A f>
|
=1' 2. G 4 A
=1  1 C)2
=2' 2. <c e> 4 <A f>
|
=1' 2 <D B> <D d-emph>
=2' 2 <G f> <B f-emph,>
|
=1' 4 <D B> <B D-.> <A D-.> <G D-.>
=2' 4 <G f> <G f-.,> <A f-.,> <B f-.,>
|
=1 1 <D A>
=2 1 <A f>
|
=1 vol-7  1 <C# A-fermata>
=2 vol-11 1 <A e-fermata>

midi pause 1.5
/
8 bars | 2b 9 9 13 10 | 9 9 12 10 | 9 9 13 10 | 9 9 13 10 \
 | 9 9 12 10 | 9 9 12 10 | 19 17 | 36 :||
| 3.8
Il1.3 3rd movement
i0.4 .08 Andante con moto
=1' treble 2b leg105 vol75 2 <D G> 4 <E G> <C G>
I0.5 .03 pp
=2, bass   2b leg105 vol55 2 <g b> 4 <g c~> <gx a>
|
il1.3 .25 ( Der Tod und das Mädchen )
=1' 2 <D G> 4 <D A> <D B>
=2, 2 <g b> 4 <g c~> <g d~>
|
=1' 2 <D A> 4 <D G> <D F#>
=2, 2 <d c~> 4 <d b> <d a>
|
=1' 2 <D G> 4 <B_ G> <C G>
=2, 2 <g b> 4 g <gx a>
|
=1' 2 <D G> 4 <E G> <C G>
=2, 2 <g b> 4 <g c~> <gx a>
|
=1' 2 <D G> 4 <D A> <D B>
=2, 2 <g b> 4 <g c~> <g d~>
|
=1' 2 <D G> <D F#>
=2, 2 <d a c~> <d a>
|
=1' 2 <B_ D G> rest
=2' 2 G rest
/
8 bars |: 2b 9 9 12 10 | 9 9 12 10 | 9 9 12 10 | 9 9 13 10 \
 | 9 9 12 10 | 19 17 | 10 10 11 12 | 19 17 |
|
=1' 2 <E G> vol+5 4 <E G> vol+5 <E G>
i0.5 .30 cresc . . .
=2, 2 <e b> vol+5 4 <e b> vol+5 <e b>
|
=1' 2 vol+5 <D G B> vol+5 <D G B>
i0.5 .20 . . .
=2' 2 vol+5 B vol+5 B
|
=1' 2 vol+5 <E G> 4 <E G> <E A>
I0.5 .03 f
=2, 2 vol+5 <c c~> 4 <c c~> <c c~>
|
=1' 2 <A_ D> <A_ D>
=2, 2 <d f#> <d f>
|
=1' 2 <B_ G> vol-5 4 <B_ G> vol-5 <E G>
i0.3 .10 dim . . .
=2, 2 <e g> vol-5 4 <d g> vol-5 <c g>
|
=1' 2 vol-5 <D B> vol-5 <B_ Db B>
i0.3 .35 . . .
=2  2 vol-5 <B, g> vol-5 En
|
=1' 2 vol-5 <B_ Cx F> 4 <A_ Dn F> <A_ Ex F>
I0.3 .03 p
=2' 2 vol-5 F 4 F F
|
=1' 2 <B_ D F> 4 B_ B_
=2' 2 B rest
/
8 bars | 2b 9 9 12 10 | 9 9 12 10 | 9 9 12 10 | 9 9 12 10 \
 | 9 9 12 10 | 9 9 13 10  | 10 10 11 13 | 19 17 :||
|
=1 2 vol-5 <B_ E G> 4 <B_ D F> <B_ E>
I0.3 .03 pp
=2 2 vol-8 e 4 B G
|
=1 2 <B_ D F> 4 <D F> <E G>
=2 2 B 4 <B, b> <e b>
| 1.95 2.0
=1 2 vol-5 <D Ab> 4 <E G> <D F>
=2 2 vol-8 <f b> 4 <e b> <B, b>
| 1.95 1.9
=1' 2 <E G> 4 <B_ G> <B_ G>
=2 2 <e b> 4 <e b> <d b>
| 1.95 2.0
=1' 2 <En G> 4 <D G> <D G>
=2, 2 <c# a> 4 <d a> <d a>
| 2.05 2.0
=1' 2 <C# G> 4 <D G> <En G>
=2, 2 <en a> 4 <d a> <c# a>
| 3.9
=1 4. blank 8 blank-turn 2 blank
#P=1' 2 G 4. Bn 8 A
#M=1' 8. G 16 [A G F# G] 4. Bn 8 A
=1, 2 D <D F#l>
=2, 2 <d bn> <d c~n>
| 3.8
=1' 2 <B_n D G> rest
=2' 2 G rest

midi pause 2.0

6 systems 25 / 19-30-19/ 19-30-19/ 19-30-19 15/ 19-30-19/ 19-30-19/ 19-36-19/
title Richard Wagner
pagenum
leftfoot Arranged for piano by Peter Billam
/
7 bars | 6/8 1.5 | 6 | 1 1 1 1 1 1.2 | 1.2 1 1 1 1 1 \
 | 6 | 6 | 1 1 1 1 1 1.2 |
| .6
Il1.1  Tristan and Isolde   1865
i0.3 .10 Langsam und schmachtend
=1' treble 6/8 cha0 vol80 leg105 8 blank
=1, treble 6/8 8 A_
I0.5 .02 pp
=2  bass   6/8 cha0 vol80 leg105 8 rest
| 3.0
=1, 4. F(2 4 F)2 8 E
=2  2. rest
|
=1' 4. G#(1 4 G)1 8 A
=1, 2. D#
=2  2. <f b>
|
=1' 8 A# 4 B(1 8 B)1 8 rest rest
=1, 4. Dn(2 8 D)2 4 blank
=2 4. <e(2 g#(1> 8 <e)2 g)1> rest rest
|
=1, 4. rest 4 rest 8 B_
=2  2. rest
|
=1, 4. Ab(2 4 Ab)2 8 G
=2  2. rest
|
=1' 4. B(1 4 B)1 8 c
=1, 2. F#
=2 2. <ab d~>
/
6 bars | 9 8 7 8 8 7 | 8 7 8 7 7 7 | 11 8 8 8 8 7  | 8 7 7 12 8 7 \
 | 13 8 8 8 8 7 | 8 7 7 12 8 7 |
|
=1' 8 c# 4 d(1 8 d)1 8 rest rest
=1, 4. F(2 8 F)2 4 blank
=2 4. <g(2 b(1> 8 <g)2 b)1> rest rest
|
=1' 8 blank
=1, 4 rest 8 D 4. B(2
=2  2. rest
|
=1, 8 B)2 4 Bb(2 8 B)2 4 A
i0.3 .10 cresc . . .
=2  2. rest treble
|
=1' 4. d(1-emph 8 [d)1 d# e]
=1, 2. G#
I0.3 .02 sf
i0.3 .25 dim . . .
=2' 4. F(1 4 F)1 8 E
=2, 2. C
|
=1' 8 e# 4 f#(1 8 f)1 8 rest rest
=1, 4. A(2 8 A)2 4 blank
I0.5 .02 p
=2 4. <B_(2 D#(1> 8 <B_)2 D)1> rest rest
|
=1' 4. d~(1 8 [d~)1 d~# e~]
=1, 2. g#
i0.8 .20 cresc . . .
=2' 4. fn(1 4 f)1 8 e
=2, 2. c
/
5 bars | 11 8 8 8 8 7 | 9 8 8 8 8 7 | 9 8 8 8 8 7 \
 | 11 8 8 8 9 7 | 48 |
|
=1' 8 e~# 4 f~#(1 8 f~)1 8 rest rest-fermata
=1, 4. a(2 8 a)2 4 blank
i0.5 .10 dim . . .
=2 4. <B(2 d#(1> 8 <B)2 d)1> rest rest-fermata
|
=1  8 e# 4 f#(1 8 f)1 8 rest rest
I0.5 .02 pp
=2  8 E# 4 F#(1 8 F)1 8 rest rest
|
=1 8 <e# e~#> 4 <f#(2 f~#(1> 8 <f)2 f~)1> 8 rest rest
i0.5 .02 cresc . . .
=2 2. rest bass
|
=1' 8 <E# e#> 4 <F#(2 f#(1> 8 [<F)2 f)1> <G g> <G# g#>]
i0.5 .25 più
I0.5 .01 sf  .5 f
=2  4 <En d' g#'> 8 rest 4. <e, b d~>
|
=1, 4. <B b> 8 <A a> rest rest
I0.5 .01 ff  .5 p
i0.5 .25 dim
=2, 4. <fn(2 a c~> 8 f)2 rest rest
=2' 4. blank 8-s [a 8.-s b 16-s c~]

midi pause 1.5

/
5 bars | 6 5 6 5 6 5 6 6 | 6 5 6 5 6 7 6 5 \
  | 11 11 11 10 | 6 5 6 6 6 6 6 5 | 6 5 6 5 6 5 6 6 |
| 2.0
Il1.3 Die Meistersinger von Nürnberg   1868
i0.3 .16 Sehr mässig bewegt
=1' treble cha0 vol115 leg85 2 <E G c> 4. <C E G> 8 <C E G>
I0.4 .01 f
i0.4 .10 sehr kräftig und gehalten
=2' bass   cha0 vol115 leg85 4 <C_-P C> 2 <C E G> 4 <B_(2-* B(1>
|
=1' 2 <C(2 E(3 G(1> 8 [<C)2 E)3 G)1> E <C# F> G]
=2 4 <B_)2 B)1> <A_ A> 2 <A, a>
=2 2. blank 4 blank-P
|
=1' 4 <C# F A> <D G B> <E G c> <F B d>
=2' 4 <G g> <F-* Gx f> <E G e> <D G d>
|
=1, 4 <G c e> 4. <A c f> 8 [<G c e> <F B d> <G c>]
=2' 4. <C G c> 8 <A_ A> [<B_ B> <C c> <D d> <E e>]
|
=1' 2 <F A d> 4. <B_ F A> 8 <F B>
=2' 4 <F_-P F> 4 <F A c> 2 <D d>
=2  2. blank 4 blank-,-*
/
5 bars | 6 6 8 6 6 6 6 5 | 6 6 8 6 6 6 6 5 \
 | 6 6 6 6 6 6 6 5 | 6 6 6 6 6 6 6 5 | 6 6 6 6 6 6 6 5 |
|
=1' 2 <E(2 G(3 c(1> 8 [<E)2 G)3 c)1> B <E G c> d]
=2' 8 [<E e> <F f> <G g> <G# g#>] 2 <A(2 a(1>
|
=1' 8 [e d e fn] 4 <e g> 8 [<d f> <c e>]
=1, 4 <F# c> <G c> 2 A
=2' 4 <A)2 a)1> <G g> 8 [<F f> <D d> <E e> <F f>]
|
=1' 8 [<F B d> <A c> <B d> <c e>] 4 <A d f> 8 [<G B e> d]
=2' 4 rest'' 8 [e~ d~] [c~ b c~-* d~]
=2  1 <G-P g>
|
=1' 8 [<A c> <G B> <A c> <B d>] 4 <G c e> 8 [<F A d> c]
=2' 4 e~ 8 [d~ c~] [b a b c~]
=2, 1 g-emph,
|
=1' 8 [<F B> <A d> <G c> <F B>] [<E A> <G c> <F B> <E A>]
=2' 8 [d~ b e~-s1, d~-s1,] [c~-s2, a d~ c~]
=2, 1 g-emph,
/
5 bars | 8 8 6 6 6 6 8 5 | 8 8 8 8 10 6 8 5 | 9 9 8 9 9 8 6 5 | 40 | 10
|
=1' 8 [<D G> <F# B> <Fn A> <E c>] [<F B> <A d> <G c> <F# e>]
=2' 8 [b d~ c~ a] [d~ b e~ c~]
=2, 1 g-emph,
|
=1' 8 [<A d> <G c#> <Bb d> <A e>] [<G# f> <Gnl c#> <A d> <Bb e>]
=2' 8 [f~n e~-s1, d~-s2, c~#] [d~ e~ f~-s1, g~-s1,]
=2, 1 g-,-emph,
|
=1' 8 [<Bn f> <Bbl c#xl> <An d> <B e>] [<Bn f> <Bbl c#xl> <A d> <G B e>]
=2' 8 [a~b g~ f~ c~#] [d~ g~] 83 [f e-I3 d]
=2, 2 g-emph, g-emph,
|
=1 2 <A, c f> 4. <F A c'> 8 <F A c'>
=2' 4 <F-P A c> 2 <F A c f> 4 <E e>
|
=1' 8 <F A c>
=2' 2 <D d> cc64=0

midi pause 2.0

6 systems 20 / 19-25-19/ 19-30-19 22 \
 / 19-25-19 / 19-30-19 3 / 19-30-19 / 19-30-19 8 /
title Johannes Brahms
pagenum
leftfoot Arranged for piano by Peter Billam
/
8 bars | 1b 10 10 10 8 | 10 10 10 8 \
 | 5 5 5 8 5 5 4 4 | 10 10 10 8 \
 | 5 5 5 8 5 5 4 4 | 10 10 10 7 \
 | 5 5 5 8 5 5 4 4 | 10 10 10 8 |

| 2.5
Il0.8 Ein deutsches Requiem   Op.45   1867
=1 treble 1b cha0 vol80 4. blank 1 rest
i0.4   ziemlich langsam
=2 bass   1b cha0 vol60 4 F-P F F F
|
=1  4. blank 1 rest
i0.3 .41 und mit
=2' 1 eb
=2, 4 F F F F
|
=1 4. B_ 8 C 4 D C
i0.3 .01 ausdrück
=2' 1 d
=2, 4 F F-P F F
|
=1 4 B_ A_ G_ A_(2
=2' 1 db
=2, 4 F F-P F F
|
=1' 4. F 8 G 4 A G
=1, 1 A_)2
=2' 1 c 
=2, 4 F F-P F F
|
=1' 4 F E D E(1
=1, 1 A_b
=2' 1 Bn
=2, 4 F F-P F F
|
=1' 4. B 8 c 4 d c
=1, 1 <C E)1>
=2' 8 rest' 2.. g
=2' 1 e
=2, 4 F F-P F F
|
=1' 4 B A G A(1
=1, 1 <C Eb>
=2' 2 c f(2
=2, 4 F F-P F F
/
6 bars | 1b 10 10 10 8 | 10 10 10 8 \
 | 12 10 10 14 | 5 5 5 5 5 9 4 4 \
 | 5 9 5 5 6 5 5 5 | 12 10 10 8 | 9
| 2.6
=1' 4 A)1 B G A(1
=1, 2 D Db
=2' 1 <f)2(2 b>
=2, 4 F F-P F F
| 2.7
=1' 4 A)1 G E F(1
=1, 2 <A_ C> <A_bxl B_nl>
=2' 2 f)2 db(1
=2, 4 F F-P F F
| 2.8
=1' vol+10 4 F)1 Gb E F
=1, 2 B_b <A_bxl B_nl> bass
=2' vol+10 1 db)1
=2, 4 Db-P D D D
|
=1' vol+10 4 f~ 2 c~ 4 b(1
=1, 2 an vol-10 g(2
=2' vol+10 4 c 4. f 8 d 4 e
=2, 4 C vol-10 C-P C C
|
=1' 4 b)1 vol-5 2 g 4 e(1
=1, 8 [g)2 c] 2 db 4 dbrl(2
=2' 
=2, 4 F vol-5 F-P F F
|
=1' 4 e)1 2 db vol-5 4 c
=1, 4 dr)2 2. blank
=2, 4 F vol-5 F-P F vol-5 F
| 1.5
=1' 4 vol-5 c
=2' 4 vol-5 A
=2, 4 F-*

midi pause 2.0

/
5 bars | 1# 10 | 8 8 8 8 8 8 8 6 | 8 8 8 8 8 8 8 6 \
 | 8 8 8 8 8 9 8 6 | 8 10 8 8 8 8 8 6 |
| 0.4
Il1.0 Symphonie No.4   Op.98   1885
=1 treble 1# cha0 leg99 vol90 4 <B b>
I0.4 .03 p
=2 bass   1# cha0 leg99 vol70 4 rest
| 1.6
=1, 2 <G g> 4 rest e
=2  8 [E-P B-s2, g' b'] [e g b e~-,-*]
|
=1, 2 <c c~> 4 rest <A a>
=2  8 [E-P c-s2, e' a'] [e a c~ e~-,-*]
|
=1, 2 <F f> 4 rest d#
=2  8 [E-P B-s1, f' a'] [B, a d~# f~-,-*]
|
=1, 2 <B b> 4 rest <e e~>
=2  8 [E-P B-s1, d#' g'] [e g b e-s2,-,-*]
/
5 bars | 1# 8 8 8 8 8 8 8 6 | 8 8 8 8 8 8 8 6 \
 | 8 11 8 8 8 8 8 6 | 8 8 8 8 8 8 8 6 | 8 12 8 8 8 8 8 6 |
|
=1  2 <E e'> 4 rest <G, g>
=2  8 [C-P G-s2, e' g'] [c, e g c~-,-*]
|
=1, 2 <B b> 4 rest <d d~>
=2, 8 [G-,-P d-s3, g b] [d g b g-s2,-,-*]
|
=1  2 <D d'> 4 rest <Fn, fn>
=2  8 [D-P A-s2, fn' a'] [d, f a d~-,-*]
|
=1, 2 <A a> 4 rest <c c~-.>
=2, 8 [A-P e-s3, a c~] [e a c~ e-s2,-,-*]
|
=1' 2 <C(3 c(1> 8 [<C)3 c)1> B c A]
i0.5 .60 cresc . . .
=2' 8 [D#-P c-s1, f# a] 4 c <D d#>
/
5 bars | 1# 8 8 8 8 8 8 8 6 | 8 12 8 8 8 8 8 6 \
 | 8 12 8 8 8 11 8 6 | 8 8 8 8 8 8 8 6 | 8 8 8 11 8 10 8 6 |
|
=1, 2 <c(2 c~(1> 8 [<c)2 c~)1> a e d]
=2' 8 [E-,-P c-s1, e a] 4 c <E e>
|
=1' 2 <C(3 c(1> 8 [<C)3 c)1> B c A]
=2' 8 [Fn-,-P c-s3, fn a] 4 c <F f>
|
=1, 2 <c(2 c~(1> 8 [<c)2 c~)1> a eb d]
i0.5 .01 dim . . .
=2' 8 [F#-,-P c-s3, eb a] 4 c <F f>
|
=1  4 <En c'> 8 rest en' 4 <Fn B'> 8 rest d
=2, 8 [G-,-P en-s2, c~] rest [G#-,-P fn-s2, b] rest
|
=1  vol95 4 <E A> 8 rest c' 4 <D G#> 8 rest B
=2, 8 [A-P-, e-s2, c~] rest [B-P d g#] rest
/
5 bars | 1# 8 8 8 10 8 8 8 6 | 10 8 10 8 8 8 8 6 \
 | 8 8 8 8 8 8 8 6 | 6 6 3 17 6 5 5 5 | 10
|
=1' vol100 4 A G F# E
=1, 2 E blank
i0.8 .15 cresc . . .
=2' 8 [C-P c-s1, e a] 2 <e a#>
=2, 2 blank 4 c C
|
=1' vol105 4 A# G F E
=1, 2 <C# E> blank
I0.5 .94 f
=2' 8 [F#-P c#-s3, e a#] 2 <c e a>
=2, 2 blank 4 rest,, F
|
=1' vol110 4. B_ 8 B 2 B(1
=2' 8 [g e g] rest 2 blank
=2, 2 B-P 8 rest [g b e~]
|
=1' 4 B)1 vol100 8. [A vol90 32 B A] 4 G vol80 F
i0.7 .08 dim . . .
=2 2. <b d~#> 4 rest
=2 4 blank-P 2. blank-*
| 0.5
=1' 4 E
I0.5 .10 p
=2 4 blank

midi pause 2.0

7 systems 8 / 18/ 18-33-18/ 18-30-18 \
 / 18-39-18/ 18-37-18/ 18-31-18 8/ 18-31-18/
title Claude Debussy,   Prélude à l'après-midi d'un faune   1894
pagenum
leftfoot Arranged for piano by Peter Billam
/
3 bars | 4# 9/8 2 2 2 2 2 2 2 2 2  3 3 3 4 4 7 8.5 5 8.5  3 3 3 3 4 4 6 5 3  \
              | 2 2 2 2 2 2 2 2 2  3 3 3 4 4 7 8.5 5 8.5  3 3 3 3 4 4 6 5 3 \
              | 9 9 9 8 7 10 6 6 6 |
| 9/8 4.8
# Il1.1 Prélude à l'après-midi d'un faune    1894
I0.4 .12 p
=1' treble 4# 9/8 cha0 vol75 leg99 \
 4. c(2 8 [c)2(2 16 c)2 B] 163 [A# An-I3 G] 8. [Gn 16 A B B#]
i0.2     Très modéré,   doux et expressif
|
=1'  4. c(2 8 [c)2(2 16 c)2 B] 163 [A# An-I3 G] 8. [Gn 16 A B B#]
|
=1, 8 [c d g] 4 e 8 G 4. Bn(2
/
4 bars | 4# 2 1 2 1 2 1 2 1 2 2 2 2 \
  2 2 2 2 3 3 5 3 3 3 5 3  3 2 3 3 5 3 3 3 3 5 3 2 \
 | 6/8 8 8 8 8 5 5  5 5 3 3 3 3 | 15 \
 | 2 2 2 2 3 3 5 3 3 3 5 3  3 2 3 3 6 3 3 3 3 5 3 2 |
|
=1' 8 [B)2 B c] 2. A#
=1, 4. rest,, 2. <Cr E G>
=1' 4. blank 4 blank 32-s [G c e a#] \
 16-s [g~ 32-s c~ g] 32 [E-emph, 32-s A# G C] 8 blank
=2' bass 4# cha0 vol70 leg99 \
 4. rest 8 rest-P 32 [e~' 32-s A# c a#] 8 blank 4 blank 32-s [g c A# E]
| 3.2
=1' 6/8 16 [Fn Bb] 4 Ab(1 4. A)1
=1, 6/8 2 <A_bxrl B_bl>
=1, 6/8 8 blank 16 rest,, [Cn 8 Dn(2] 16 [D)2 C] 4 D
I0.3 .01 pp
=2' 6/8 vol60 2. <B_blr-P Fn dn>
|
=1  4 blank 2. rest
=2  4 blank 2. rest
|
=1' 2. A#
=1, 2. <Cr E G>
=1' 4 blank 32-s [G c e a#] [g~ c~ g e] 32 [E-emph, 32-s A# G C] 8 blank
=2' 8 rest-P 32 [e~' 32-s A# c a#] 8 blank 4 blank 32-s [g c A# E]
/
4 bars | 4# 10 7 6 7 4 4  3 3 2 2 2 2 \
          | 10 7 6 7 4 4  4 4 3 2 3 2 | 14 12 \
 | 9/8 3 3 4 3 3 3 3 3 3 \
       3 3 3 5 3 6 7.5 5 7.5 \
       5 3 3 3 3 3 5 5 3 |
|
I0.5 .13 pp
=1' 16 [Fnr Bb] 4 Ab(1 4. A)1
=1, 2 <A_bxrrl B_bl>
=1, 8 blank 16 rest,, [Cn 8 Dn(2] 4. D)2
=2' vol60 2. <B_blrr-P Fn dn>
|
=1' 16 [Fnr Bb] 4 Ab(1 8 A)1 4 E(1
=1, 2 <A_bxrrl B_bl>
=2' 8 blank 16 rest''' [c~n 8 d~n(2] 4. d~)2(2
=2' vol60 2. <B_blr-P Fn dn>
|
=1' 4. E)1 Fn
=2, 2. d~n)2
| 4.8 
I0.4 .01 p
=1' 9/8 vol70 \
 4. c(1 8. [c)1 16 B] 163 [A# An-I3 G] 8. [Gn 16 A B B#]
#=1, 9/8 vol45 16 rest, 16-s [F Dn F D F] [D F D F D F] [D Fn D F D F]
#=1, 9/8 vol45 16 rest, 8-s [F F 16-s F] \
# rest, [F 8-s Dn(2 D)2] 16-s rest,, [Fn 8-s D(2 D)2]
=1, 9/8 vol45 16 rest, blank 2.// <Dn F> 16 rest,, 4.// <Dr Fn>
I0.4 .03 ppp
=2' 9/8 vol45 16 [Dn-P 16-s A dn A d A] \
 [d A d 16 A#-P 16-s d A#] 16 [D-P 16-s B d B d B]
# [d A d 16 A#-P 16-s d A#] 16 [D-P 16-s B fn B f B]
/
2 bars | 4# 3 3 3 3 3 3 3 3 3  3 3 3 3 3 4.5 5.5 4 6  4 3 3 3 3 3 4 3 3 |
|
=1' vol70 4. c(1 8. [c)1 16 B] 163 [A# An-I3 G] 8. [Gn 16 A B B#]
#=1, vol45 16 rest, 16-s [F Dn F D F] [D F D F D F] [D Fn D F D F]
#=1, vol45 16 rest, 8-s [F F 16-s F] \
# rest, [F 8-s Dn(2 D)2] 16-s rest,, [Fn 8-s D(2 D)2]
=1, vol45 16 rest, blank 2.// <Dn F> 16 rest,, 4.// <Dr Fn>
#=2' vol45 16 [Dn-P 16-s A f A f A] \
# 16 [D 16-s A f A# f A#] 16 [D-P 16-s B fn B f dn]
=2' vol45 16 [Dn-P 16-s A dn A d A] \
 [d A d 16 A#-P 16-s d A#] 16 [D-P 16-s B d B d B]
# [d A d 16 A# 16-s d A#] 16 [D-P 16-s B fn B f B]
|
=1' vol70 8 [c d g] 4 e 8 G 4. Bn(1
#=1, vol45 16 rest, 8-s [F F 16-s B] \
# rest, 8-s [C 8-s C 16-s B_] rest, 8-s [C 8-s C 16-s B_]
=1, vol45 163-s rest, [F-I3, D] rest, [A-I3, F]  rest, [A-I3, F]  \
 rest, [G C] [E C E] 16 rest,, B_ \
 163-s rest, [G C] [G C G] 16 [C B_]
=2' vol45 16 [D#-P 16-s A d A 8 B_] \
 16 [E-P 16-s B e B e B] [G B e B 8-s G]
/
2 bars | 4# 5 6 5 5 6 6  5 5 5 5 6 7  5 5 5 5 7 4 \
          | 6 5 5 5 5 5  5 5 5 5 5 5  5 6 5 5 5 4 |
|
=1' vol70 8 [B)1 B c] 2. A#
=1, 4 <C(2 G> 16 [C)2 C] \
 4 <C##r(2 G> 16 [C)2 <B_ D>] 4 <C#(4 E(2> 16 [<C)4 E)2> <C##l E#>]
=2' vol45 16 [E#-P 16-s B e# B e B] [e#-P A# e A e A] [E A e A e A-*]
|
i0.4 .03 oboe
=1' vol70 8 rest' [c d] 4. B#(1 8 [B)1 A# e#]
=1, vol45 16-s [D 8-s F F 16-s F] rest,, \
 8-s [F F 16-s F] 16-s rest,, 8-s [F F 16-s E#]
#=1, vol45 163-s rest, [G-I3, F] rest, [G-I3, F] rest, [G-I3, F] \
# rest, [G-I3, D] [G D-I3, G] [D B_#-I3, D] 16 rest, F rest, F rest, G
#=2 vol45 2. D-P 4. C
=2' vol45 16 [D-P 16-s A# f d f d] [A d f d f d] 16 [C-P 16-s A c A c A]
/
2 bars | 4# 108 | 108 |
|
=1' vol70 2. g 4. an
=1, vol45 16 rest, 4.// <B#lr e#> 16 rest, 4.// <Br d> 16 rest, 4.// <dnlr fn>
#=2  vol45 2. B_#-P 4. B_n-*
=2' vol45 16 [B_#-P 16-s B# e# g# e B] [E# B e g e B] \
 16 [B_n-P 16-s Bn dn fn d B]
|
=1' vol70 4. a#(1 8 [a)1 g e#] vol+10 [g b c~]
=1, vol45 163-s rest, [e# c##] [e c e] [c e c] \
 [e c e] rest, [c A#] rest, [c A] rest, [e d] rest, [e d] rest, [e d]
=2' vol45 16-s rest' [a# c~## a c~ a] [c~ a c~ a c~ a] \
 rest'' [a d~ a d~ a]
=2 vol45 2. A_#-P 4. <e#-P g>
i0.01 .10 cresc . . .
/
4 bars | 4# 5 5 4 4 4 4 4 4 4  4 4 4 4 5 4 4 4 5  4 4 4 4 4 4 4 4 3 \
 | 8 9 8 8 9 8 8 9 7 | 8 8 8 8 8 8 8 10 7 | 13
|
=1' vol90 4. a#(1 8 [a)1 vol+10 g e#] vol100 [g b c~]
=1, vol55 163-s rest, [e# c##] [e c e] [c e c] \
 [e c e] rest, [c A#] rest, [c A] rest, [e d] rest, [e d] rest, [e d]
=2' vol55 16-s rest' [a# c~## a c~ a] [c~ a c~ a c~ a] \
 rest'' [a d~ a d~ a]
=2 vol55 2. A_# 4. <e#-P g>
|
=1 vol90 8 [<B d g> vol+10 b vol+10 <c e# c~>] \
 vol90 [<B d g> vol+10 b vol+10 <c e# c~>] \
 vol90 [<B d g> vol+10 b vol+10 <c e# c~>]
=2 vol65 4 rest' 8 <g c~> 4 <b d~> 8 <g c~> 4 <b d~>  8 <g c~>
=2 vol65 1 E#(2
|
=1' vol-20 8 [G B c] vol-15 [G B c] vol-15 [G B B#]
i0.9 .08 dim . . .
=2 vol65 4. <b(3 e~#(1> 8 <b)3 e~)1> blank blank 4. blank
=2 vol65 4. E#)2(2 8 E)2 rest rest 4. rest-,-*
|
=1 2. c#
=2 2. En cc64=0

midi pause 2.0

5 systems 40 / 19-20-19/19-20-19 20 \
 / 19-25-19 20/19-30-19 20/19-30-19 20/
title Arnold Schoenberg,  Pierrot Lunaire   Op.21    1910
pagenum
leftfoot Arranged for piano by Peter Billam

/
3 bars | 2/4 6 6 6 6 6 7 6 5 |     6 6 6 6 6 7 6 5 \
           | 6 6 6 6 6 7 6 5 |
| 1.6
Il1.7  1: Mondestrunken
I0.6 .01 pp
=1 treble 2/4 16 rest' [g~# e~ c~] d~ rest' 8 rest'
i0.6     Bewegt  (cro = 66-70)
=2 treble 2/4 4 rest 16 rest [bb c# g]
|
=1 16 rest' [g~# e~ c~] d~ rest' 8 rest'
=2 4 rest 16 rest [bb c# g]
|
=1 16 rest' [g~# e~ c~] d~ rest' 8 rest'
=2 4 rest 16 rest [bb c# g]
/
3 bars |3/4 6 6 6 6 6 7 6 6 3 3 3 3 |2/4 6 7 6 7 6 7 7 5 \
 |3/4 7 7 7 7 7 7 7 6 5 5 5 5 ||
| 2.4
=1 3/4 16 rest' [g~# e~ c~] d~ rest' 8 rest' 4 rest
=2 3/4 4 rest 16 rest [bb c# g] 4 rest
| 1.6
=1 2/4 16 rest' [g~# f~# a~] [g~# e~ d~# f~n]
=2 2/4 8 rest [gn f# en]
| 2.4
=1 3/4 16 [e~ f~n d~b c~n] [d~n bb c# gn] 4 rest
=2 3/4 8 d# rest 4 rest rest
midi pause 1.5

/
4 bars | 48 | 48 | 48 | 24 ||
| 2.25
Il1.3  8: Nacht
i0.5 .01 Gehende  (cro = 80)
=1, bass8vab 3/2 2 rest 1 G
I0.6 .01 pp
=2' bass8vab 3/2 2 rest' rest' Bb(1
=2, bass8vab 3/2 1 En 2 Ebl(2
|
=1' 1 db 2 c(1
=1, 1. Gb(2
=2' 2 Bb)1 1 An(1
=2, 1. Ebl)2(2
|
=1' 1. c)1-fermata
=1, 1. Gb)2
=2' 2 A)1 1 Ab-fermata
=2, 1. Eb)2
|
=1 1. rest
=2 1. rest
midi pause 1.5

/
3 bars | 24 | 48 | 15 11 11 11 ||
| 1.3
Il1.3  9: Gebet an Pierrot
I0.6 .01 p
=1, bass 2/2 2 <gblr(2 bb(1>
i0.6 .01 Mäßige  (min = 60)
=2, bass 2/2 83 blank 2 rest
| 2.6
=1, 2. <gblr)2 bb)1> 4 <gnll bn>
i0.5 .60 cresc . . .
=2' 1 <Dbr F c>
|
=1, 8 <err f#x c~> rest 4 rest 2 rest
I0.8 .01 pp
i0.1 arpegg.
=2' 8 <A_rr C# G> rest 4 rest 2 rest
midi pause 1.5

/
3 bars | 48 | 48 | 15 11 11 11 ||
| 2.0
Il1.3  21: O alter Duft
i0.6    Bewegt  (min = 60)
=1' treble 4/4 leg105 4 rest <G# B> <F# A> <E G#-s1-s3>
I0.9 .20 p
i0.5 .60 cresc . . .
=2  bass   4/4 leg105 8 rest [c-s5, c# d'] [eb d gn f#]
I0.01 .08 pp
|
=1' 4 <Gn B-s3-s5> <F A-s2-s4> <D G-s1-s5> <Db F-s2-s4>
i0.5 .03 dim . . . .80 cresc . . .
=2' 8 [d#-s3, c-s1, Bb-s2, G-s4,] [F# A c Ab]
|
=1, 1 <B_ E G#>
=2' 4 blank 1 rest

midi pause 2.0

6 systems 15 / 19-29-19/ 19-22-19/ 19-30-19 \
 / 19-30-19/ 19-35-19/ 19-35-19 18/
title Bela Bartók,  Bluebeards Castle    1911
pagenum
leftfoot Arranged for piano by Peter Billam
midi channel 1 patch 0 pan 80 reverb 90
midi channel 2 patch 0 pan 20 reverb 90
/
8 bars | 36 |
| 2.0
i0.7 .03 Andante (cro=92)
=1 treble cha0 vol55 leg105 2. F#
I0.5     pp
i0.5 .22 misterioso
=2 bass   cha0 vol55 leg105 2. f#
|
=1 2. C#
=2 2. c#
|
=1 2. B_
=2 2. B
| 2.5
=1 2. C#-fermata
=2 2. c#-fermata
| 2.0
=1 2. F#
=2 2. f#
|
=1 2. E
=2 2. e
|
=1 2. C#
=2 2. c#
| 2.5
=1 2. B_-fermata bass
=2 2. B-fermata
/
7 bars | 36 |
| 2.0
=1 2. a
=2 2. A
|
=1 2. e
=2 2. E
|
=1 2. b
=2 2. B
| 2.5
=1 2. c~#-fermata
=2 2. c#-fermata
| 2.0
=1 2. b
=2 2. B
|
=1 2. a
=2 2. A
|
=1 2. blank treble
=2' 2. <E e>
/
3 bars | 7 5 3 3 3 3 3 3  3 3 3 3 3 3 3 3  3 2 2 2 3 2 2 2 | 72 \
 | 4/4 3 2 2 2 2 2 2 2 8 5 3 3 3 3 3 3  3 3 3 3 3 3 3 3  3 2 2 2 3 2 2 2 |
| 2.5
i0.7 .01 meno mosso  (cro=72)
=1  vol90 32 [<c e> <B d#> 8. <c(2 e(1>] 8 [<c)2 e)1> <e g>] 4 <d#l(2 f#(1>
I0.4   mp
=2' vol60 2. <F#(2 f#(1>
|
=1, 8 [<d)2 f)1> <B d#>] 4 <c e-emph> 8 <A c> rest
=2' 2. <F#)2 f#)1>
| 3.3
=1 4/4 vol75 4 rest \
 32 [<C E> <B_ D#> 8. <C(2 E(1>] 8 [<C)2 E)1> <E G>] 4 <D#l(2 F#(1>
I0.5 .20 p
=2' 4/4 4 <E e-emph> 2. <F#(2 f#(1>
/
3 bars | 3/4 14 12 10 10 10 10 \
 | 4/4  3 2 2 2 2 2 2 2 5 7 3 3 3 3 3 3  3 2 2 2 3 2 2 2  3 2 2 2 3 2 2 2 \
 | 3/4 5 7 3 3 3 3 3 3  3 2 2 2 3 2 2 2  3 2 2 2 3 2 2 2 |
| 2.6
=1' 3/4 8 [<D#rl)2 F#)1> <B_ D#>] 4 <C E-emph> 4 C
=1, 3/4 2 blank 8 A_ rest,,
=2' 3/4 2 <F#r)2 f#)1> vol95 4 <C-emph, c>
| 3.3
=1, 4/4 vol90 4 rest 32 [<Ab c> <G B> 8. <Ab(2 c(1>] \
 4 <Ab)2 c)1> vol110 8 <B d# b> rest
I0.4 .18 mf
i0.2 .35 cresc . . .
=2' 4/4 2. <D d> 4 <C-emph, c>
| 2.6
=1' 3/4 vol65 32 [<A_b C> <G_ B_> 8. <A_b(2 C(1>] 4 <A_b)2 C)1> <G_(2 C(4 Eb(1>
I0.3 .01 p
=2' 3/4 vol80 2. <D d>
/
4 bars | 16 16 14 | 19 16 14 | 16 16 14 \
 | 7 5 3 3 3 3 3 3  3 2 2 2 3 2 2 2  3 2 2 2 3 2 2 2 |
|
=1 4 <G_)2 C)4 Eb)1> vol60 <En G> <F_#l(4 G_#lx(2 B_>
=2 vol60 2. <C#(2 c#(1>
|
=1 4 D#r En A
=1, 2 <F_#lrr)4 G_#lx)2> 4 <Db(4 F(2>
=2 2 <C#rr)2 c#)1> vol85 4 <B_b(2-emph, Bb(1>
|
=1, 2. <Dbrl)4 F)2>
=1' vol+10 4 Gb vol+10 Ab vol+10 cn
i0.3 .15 molto cresc . . .
=2 2. <B_b)2(2 Bb)1(1>
|
=1 vol110 32 [<c e> <B d#> 8. <c(2 e(1>] 4 <c)2 e)1> 8 <eb g e~b> rest
I0.3 .01 f  .70 sf
i0.3 .10 cresc . . .
=2 vol100 2 <B_b)2 Bb)1> 8 <A_b Ab> rest
/
4 bars | 7 5 3 3 3 3 3 3  3 2 2 2 3 2 2 2  3 2 2 2 3 2 2 2 \
 | 20 20 18 | 20 20 18 | 12
|
=1 vol75 32 [<C E> <B_ D#> 8. <C(2 E(1>] 4 <C)2 E)1> <Eb(2 G(1>
I0.3 .01 p
=2' vol60 2. <B_b Bb>
|
=1' 4 <Eb)2 G)1> 2 <C En>
=1, 2 blank 4 F_(2
=2' 2. <A_b Ab>
|
=1' vol-10 2 <A_ C#> vol-10 8 A_ rest
=1, 4 F_)2 E_ F_
i0.2 .10 dim . . .
I0.2 .90 pp
=2 vol50 2. <G_ G>
|
=1' 4. <F_# A_>
=2  4. <F_# F#>

midi pause 2.0

6 systems 30 / 19-33-19/ 19-37-19/ 19-28-19 \
 / 19-35-19/ 19-35-19/ 19-35-19 10/
title Igor Stravinsky,  The Rite of Spring   1913
pagenum
innerhead Igor Stravinsky
leftfoot Arranged for piano by Peter Billam
midi channel 1 patch 0 pan 80 reverb 90
midi channel 2 patch 0 pan 20 reverb 90
/
3 bars |4/4 5 8 8 8 8 8 | 3/4 8 9 8 9 | 4/4 16 13 16 |
| 4/4 .6 .4 .4  .4 .4 .4  .7 .4 .4  .4 .4 .4
Il1.4 .01 The Adoration of the Earth
=1' treble 4/4 cha1 vol60 leg100 4 c-fermata 163-s [B, c,] 16 [B' G E B'] \
 83 [A-fermata c-I3 163-s [B, c,] 83 B] [G E-I3 B]
Il0.6 .01 Lento
i0.2 .22  cro=50   a piacere
=2' bass   4/4 cha2 vol40 leg155 1 rest
| 3/4 3.6
=1' 3/4 8 [A c] 32-s [B' c'] 8 [B A] 8 [d 163-s G, 8 A]
=2, 3/4 4 c~#(1 83 c~)1 43 d~(1-I3 4 d~)1(1
|
=1' 4/4 165 [c 32-s [B, c,] 165 B' G-I5 E B'] 4 A(2 A)2(2 8 [A)2 c(1]
=2, 4/4 4 d~)1 16 blank 4 c~#(1 4. c~)1 8 rest
/
3 bars | 2/4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 4 4 3 3 3 3 3 3 8 2 2 2 2 2 2\
|3/4 3 3 3 3 7 3 3 3 3 3 3 3 3 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 3 4 3 3 3 3 2 3 2\
 | 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 7 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2|
|
=1' 2/4 4 c)1(1 8 [c)1 323-s [B, c,] 163 B G-I3 B 32-s c, 8 Bb]
=2, 2/4 4. <abrl d~b> 8 <g(2 c~(1>
| 3/4 3.6
il0.8 .02 5
=1  3/4 83 [A 163-s c, 83 Bb' A] 8 [Gb c'-.] 4 Gb(2 163 blank
i0.7 .40 poco accelerando
=2, 3/4 83 <g)2 c~)1> 43 <gbl-s1,-s3, c~b-I3> 4 <f(2 bb(1> \
 83 [<f)2 bb)1> <e a-I3> <ebl-s2,-s3, ab>]
|
=1' 83 [Gb)2 D#-I3  163-s F, 83 E] \
 [C# 163-s E, 83 Dn-I3 B_(2] [B_)2 rest, cn'(1] 163 blank
=2  83 [<d g> <dbl-s2,-s3, gb-I3> <c, f>] [<B e'> <Bbl-s2,-s4, eb'-I3> <A d'>] 4 <G#l(2 c#(1>
/
3 bars | 2/4 3 3 3 3 3 3  3 3 3 3 3 3  4 4 4 4 4 4 4 4 4 4 4 4 4 3 \
 | 3/4 108 \
 | 2/4 4 4 4  4 4 4 4 4 4 4 4 4  3 3 3 3 3 3 3 3 3 3 3 3 |
| 2/4 2.4
=1  2/4 4 c)1 32-s [B' c'] 16 [B' G E B']
i0.6 .40 in tempo
=2' 2/4 2 <G#lr)2(2 c#)1(1>
| 3/4 3.6
=1' 3/4 8 [A c] 32-s [B' c'] 8 [B A] 8 [d 163-s G, 8 A]
=2' 3/4 4 <G#lr)2(2 c#)1(1> 83 [<G)2 c)1> <A d-I3> <Bbl(2 eb(1>] \
 8 [<B)2 e)1> <A d>]
| 2.4
=1' 2/4 165 [c 323-s [B, c,] 165 B' G-I5 E B'] 4 A(1-fermata
=2' 2/4 2 <G#lr(2 c#(1>
/
4 bars | 3 3 3 2 3 3 3 2 4 6 3 3 3 3 3 3 3 2 \
 | 5 6 3 3 3 3 3 3 3 3 4 4 5 5 5 5 5 4 \
 | 24 || 3/4 3 3 3 3 4 3 3 3 3 4 3 4 4 4 4 4 4 4 3 2 3 2 3 2 3 2 |
|
il0.6 .20 10
=1' 2 A)1(1
=1, 8 [C# F#] 32-s [C# F#] 83 [D# C#-I3 F#]
=2' 2 <G#lr)2(2 c#)1(1>
|
=1' 2 A)1(1
=1, 32-s [C# F#] 83 [D# C#-I3 163 F#] rest,, \
 83 rest,, 163 [G# D#-I3 F# C#]
i0.15 .60 acceler
=2' 2 <G#lr)2(2 c#)1(1>
|
=1' 2 A)1-fermata
=1, 2 D#
=2' 2 <G#lr)2 c#)1>
| 3.6 
=1 3/4 8 [d 163-s G 8 A,] 165 [c' 32-s [B, c,] 165 B' G-I5 E B'] 4 A
I0.05 .24 3
=2' 3/4 43 eb 83 d 4 db c
=2, 3/4 2. Gn
/
3 bars | 3 3 3 3 3 3 3 4 3 3 3 3 3 3 4 3 3 \
 | 2/4 3 3 3 3 3 3 3 3 3 3 3 3 \
 | 3 3 4 3 3 3 3 3 3 3 3 3 3 3 |
| 2.2
i0.5 .03 piu mosso
=1' 2/4 8 rest'  A 163-s [C# F#] 83 [D# <C#l G#-I3>  163-s [A, F#,] 83 <D# Gn>]
=1, 2/4 8 [C# F#] 4 blank 43 blank
=2, 2/4 4 <f#(2 b(1> 16 blank \
 83 [<f)2 b)1> 32 blank 83 <fnl bb-I3> 32 blank 8 <e-s1,-s5, a>]
i0.3 .03 cro=66
|
il0.7 .02 15
=1' 83 [F# 163-s A, 83 G-I3 F#] [D# C#-I3 163-s F#, 83 D#(2]
=2, 83 [<d#-s2,-s4, g#> <e a-I3> <f bb>] [<f#l-s1,-s3, bn> <fnl bb-I3> <e a>]
|
=1' 83 D#)2 163-s [C# F#] 43 D#-I3 4 C# 83 blank
=2, 83 [<d#-s2,-s4, g#> <e a-I3> <f bb>] [<e a> <d#l-s2,-s4, g#-I3> <dnl-s1,-s5, gn>]
/
4 bars | 2/4 3 3 3.5 2 3 3.5 2 2 3 2.5 2 2 \
 | 2 2 2 2 3 2 2 2 2 2 2 1 \
 | 2 2 3 2 2 3  2 2 3 2 2 2.5  2 2 2 2 3 2  || 6 
|
I0.2 .26 6
=1' 163 [G# F# D# F# E C#] 83 [D# 32-s [C#, F#,] 8 D#(2]
=2, 83 [<d# g#> <e a-I3> <f bb>] [<e a> <d#l g#-I3> <dnl gn>]
|
=1 8 [D#)2 163 F# E-I3 C#] 4 D
=2, 83 [<c#-s2,-s4, f#> <d g-I3> <d# g#>] [<e a> <d#l g#-I3> <dnl gn>]
| 3.3
I0.10 .85 6
=1 3/4 83 [G# 323-s [F#, G,] 16 F D#] 83 [G# 323-s [F#, G,] 16 F D#] \
 163 [G F D F E C#]
=2, 3/4 83 [<c# f#> <d g-I3> <d#l g#>] [<e a> <d#l g#-I3> <dnl gn>] \
 [<c#l-s2,-s4, f#> <ebl-s1,-s3, ab-I3> <d-s2,-s4, g>]
| 2.0
=1 1 D#
=2, 1 <c#-s1,-s2,-s5, g# ax>

midi pause 2.0

7 systems 10 / 19-25-19/ 19-25-19/ 19-30-19 \
 / 19-25-19/ 19-25-19/ 19-30-19/ 19-30-19/
title Gustav Holst,  The Planets,  Mars    1915
pagenum
leftfoot Arranged for piano by Peter Billam
midi channel 0 patch 0
/
5 bars | 5/4 13 9 9 11 8 | 13 9 9 11 8 |
| 2.5
=1 bass 5/4 cha0 vol80 leg99 2. rest 2 rest
I0.4 .03 p
=2' bass8vab 5/4 cha0 vol60 leg99 \
 83 [G-s5, G-I3-s4, G-s3,] 4 G-s2, G-s5, 8 [G-s4, G-s3,] 4 G-s2,
|
=1 2. rest 2 rest
=2' vol60 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1' 2. G(2 2 G)2(2
=2' vol60 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1' 2. G)2 2 vol85 d
=2' vol60 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1' vol100 2. db(2 2 d)2(2
=2' vol60 83 [G G-I3 G] 4 G G 8 [G G] 4 G
/
5 bars | 13 9 9 11 8 | 13 9 9 11 8 |
|
=1' 2. db)2 2 rest
=2' vol60 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1 2. rest 2 rest
=2' vol60 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1' 2. G(2 2 G)2(2
=2' vol60 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1' 2. G)2 2 vol85 d
=2' vol60 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1  vol90 2. db' 2 <Ab, ebl ab>
=2' vol60 83 [G G-I3 G] 4 G G 8 [G G] 4 G
/
5 bars | 13 9 9 11 8 | 13 9 9 11 8 |
|
=1  vol+5 2. <G d' g'> 2 <d g d~>
i0.6 .15 cresc . . .
=2' vol+5 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1  vol+5 2. <db, g d~b> 2 blank
=1  2 blank treble 2 blank
=1  2. blank 2 <A_b Ebl Ab>
=2' vol+5 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1' vol+5 2. <G_ Dn G> 2 <D G d>
I0.4 .85 mf
=2' vol+5 83 [G G-I3 G] 4 G-P G 8 [G G] 4 G
|
=1' vol+10 2. <Dbr(2 F(4 Abl(3 db(1> 2 <D)2(2 F)4(4 A)3(3 d)1(1>
i0.2 .55 dim . . .
=2' vol+5 83 [G-P G-I3 G] 4 G G 8 [G G] 4 G
|
=1' 2. <Dbr)2(2 F)4(4 Abl)3(3 db)1(1> 2 <D)2(2 F)4(4 A)3(3 d)1(1>
=2' vol-5 83 [G G-I3 G] 4 G-* G 8 [G vol-5 G] 4 G
/
5 bars | 13 9 9 11 8 | 13 9 9 11 8 |
|
=1' 4 <Dbr)2 F)4 Abl)3 db)1> rest rest 2 rest bass
I0.4 .90 p
=2' vol-5 83 [G G-I3 G] 4 G vol-5 G 8 [G G] 4 G
|
=1' vol85 2. <Db(3 db(1> 2 <D)3(3 d)1(1>
=2' vol70 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1  vol85 2. <Db)3 db')1> 2 <Bb, bb>
=2' vol70 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1, vol85 2. <A(2 c#(3 a(1> 2 <A)2(2 c)3(3 a)1(1>
=2' vol70 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1, vol85 2. <A)2 c#)3 a)1> 2 rest
=2' vol70 83 [G G-I3 G] 4 G G 8 [G G] 4 G
/
5 bars | 13 9 9 11 8 | 13 9 9 11 8 |
|
=1  vol85 2. <Db Abl db'> 2 <Bb, f bb>
=2' vol70 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1, vol+5 2. <c# e a> 2 <e a e~>
i0.7 .17 cresc . . .
=2' vol+5 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1, vol+5 2. <fr abl d~b> 2 blank
=1  2 blank treble blank
=1' 2. blank 2 <B_b F Bb>
=2' vol+5 83 [G-P G-I3 G] 4 G G 8 [G-* G] 4 G
|
=1' vol+5 2. <A_ C# E A> 2 <E A c# e>
I0.4 .85 mf
=2' vol+5 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1' vol+5 2. <Eblr Ab c eb> 2 blank
=1  2 blank bass blank
=1, 2. blank 2 vol-10 <ebl ab c~>
=2' vol+5 83 [G-P G-I3 G] 4 G vol-10 G 8 [G G] 4 G
/
5 bars | 13 9 9 11 8 | 13 9 9 11 8 |
|
#M=1, vol85 2. <db f bb> treble 2 <B_bl Db F>
#P=1 vol85 2. <db, f bb> treble 16. blank 2 <B_bl Db F> 16 blank
=2' vol70 83 [G-* G-I3 G] 4 G G 8 [G G] 4 G
|
=1' vol85 2. <A_brl C Eb> 2 <Ebl Ab c>
=2' vol75 83 [G G-I3 G] 4 G G 8 [G G] 4 G
|
=1' vol85 2. <Dbrl F Bb> vol100 2 <Db F Abl db>
I0.4 .52 mf
i0.4 .70 cresc
=2' vol75 83 [G G-I3 G] vol+5 4 G-P vol+5 G vol+5 8 [G G] vol+5 4 G
|
=1' vol120 2. <B_(4 D#r(2 F#l(3 Bn(1> 2 <B_)4(4 D)2(2 F)3(3 B)1(1>
I0.4 .02 f
=2' vol100 83 [G-P G-I3 G] 4 vol-5 G vol-5 G vol-5 8 [G G] vol-5 4 G
|
=1' vol120 2. <B_)4 D#r)2 F#l)3 B)1> 2 <Dbl Fn Abl db>
=2' vol85 83 [G G-I3 G] vol+5 4 G vol+5 G vol+5 8 [G G] vol+5 4 G
/
5 bars | 13 9 9 11 8 | 13 9 9 11 8 \
 | 13 9 9 11 8 | 13 9 9 11 8 | 13 9 9
|
=1' vol120 2. <B_(4 D#r(2 F#l(3 Bn(1> 2 <B_)4(4 D)2(2 F)3(3 B)1(1>
I0.4 .02 f
=2' vol100 83 [G-P G-I3 G] 4 vol-5 G vol-5 G vol-5 8 [G G] vol-5 4 G
|
=1' vol120 2. <B_)4 D#r)2 F#l)3 B)1> 2 <Dbl Fn Abl db>
=2' vol85 83 [G G-I3 G] vol+5 4 G vol+5 G vol+5 8 [G G] vol+5 4 G
|
=1' vol120 2. <B_ D#r F#l B> 2 <Dbl Fn Abl db>
=2' vol85 83 [G G-I3 G] vol+5 4 G vol+5 G vol+5 8 [G G] vol+5 4 G
|
=1' vol120 2. <B_ D#r F#l B> 2 <Dbl Fn Abl db>
=2' vol85 83 [G G-I3 G] vol+5 4 G vol+5 G vol+5 8 [G G] vol+5 4 G
|
=1' vol120 2. <B_ D#r F#l B> 
=2' vol85 83 [G G-I3 G] vol+5 4 G vol+5 G cc64=0

midi pause 2.0

5 systems 30 / 19-35-19 / 19-30-19 30 \
 / 19-35-19 / 19-40-19 / 19-45-19 25/
title Alban Berg
pagenum
leftfoot Arranged for piano by Peter Billam
/
3 bars | 2/4 5 5 5 5 7 6 6 5 \
 | 5 4 3 3 3 3 3 3 3 3 3 2 3 2 3 2 \
 | 3 3 4.5 4.5 3 3 3 3 3 2 3 2 3 2 3 2 |
| 2.0
Il1.0 Wozzeck   1922
i0.3 .01 (cro=60)
=1' treble 2/4 cha0 vol80 8 rest <F(2 A(3 d(1> \
 16 [<F)2 A)3 d)1> <B_ C#xll D#ll>] rest Cn
I0.5 .02 p
i0.5 .08 sehr mäßige Viertel
=2, bass   2/4 cha0 vol70 8 rest <e(2 bb(1> 16 [<e)2 bb)1> <g abx>] 8 rest
| 1.0 1.1
=1' 32 [C# D# 16 B A G(1] 4 G)1('1
=1, 4 blank 16 rest,, 8 [F# 16 F#]
i0.1 .52 etwas zögernd
=2  8. blank 2 rest
| 1.2 1.3
=1, 16 [A 32 F Eb 8 En(2] 4 blank
=1' 4 Gr)'1('1 8. [<E)2 G)'1> vol90 16 <Eb c>]
r0.7 .50 - .70 - .90 -
r0.1 .10 - .30 -
I0.5 .87 sf
=2, 8. rest 16 bb 8. [gb 16 vol90 <f a bnx>]
/
3 bars | 3 3 3 3 3 3 3 3 3 3 3.5 4.5 3 3 3 2 \
 | 6 5 5 6 5 5 5 4 | 40 |
| 2.0
=1' vol100 16 rest [F# G# c#] [B 32 Fn E 16 Eb D]
I0.7 .03 mf
i0.2 .02 a tempo
=2, 8. blank 2 rest
|
=1' 16 [Db 8 D 16 vol-10 D(2] 8 [D)2 vol-10 D(2]
i0.5 .07 dim . . .
=2, 8. blank 2 rest
| .5 .5 .5 .7
=1' 8 D)2 vol-10 4 Db vol-10 8 D
I0.5 .40 p
=2' 4 rest vol60 <G d> cc64=0

midi pause 1.5


/
4 bars | 6 6 6 6 6 6 6 5 | 6 6 6 6 6 6 6 5 \
 | 8 6 6 6 6 6 6 5 | 7 6 7 7 6 6 7 5 |
| .54 .52 .52 .57 .54 .52 .52 .53
Il1.1 Violinkonzert   1935
i0.4 .01 Andante (cro=56)
=1  treble cha0 vol60 4 rest 8 [C G] [G C] 4 rest
I0.5 .02 pp
=2' bass   cha0 vol60 8 rest' 4. f(1 4 f)1 f(1
=2, bass   2 Bb(2-P 4. B)2 8 Bb(2-emph,
|
=1' 8 [G_ D A e] [e A D G_(2]
I0.1 .95 p
=2' 4 f)1 f# c~ f#
=2, 1 Bb)2
=2 4. blank 8 blank-P 2 blank
|
=1  vol+10 1 G_r)2
=1' 4 rest 8 [D# B] [B D#] 4 rest
=2' vol+10 8 fnr 4. a(1 4 a)1 a(1
=2, 2 c#rl(2 4. c)2 8 c#(2
=2 4 blank-P blank 2 blank
|
=1' 8 [B_b F# c g#] [<F# g#> c F# B_b(2]
=2' 4 a)1 bb rest'' <fn a>
=2, 2 c#)2 d
=2 4 blank blank-P 4. blank 8 blank-*
/
3 bars | 48 | 48 | 48 |
|
=1' vol+10 4 rest 8 [G d] [d G] 4 rest
=1, 1 B_b)2
I0.5 .02 mp
=2' vol+10 8 rest'' 4. c~(1 4 c~)1 8 [c~(1 f(3]
=2, 4 eb 2 en-P 4 g(2
|
=1, 8 [D A e b] [b e A D(2]
=2' 4 <fr)3 c~)1> c~# g~# c~n
=2, 2 g)2 f#
=2 8 blank 2 blank-P 4. blank-P
|
=1' vol+10 4 rest' 8 [Bb ab] [ab Bb] 4 rest
=1, 1 D)2
I0.5 .02 mf
=2' vol+10 8 rest'' 4. e~(1 4 e~)1 4 e~
=2, 2 f#(2 4. f)2 8 f#
/
4 bars | 48 | 48 | 48 | 9
|
=1, 8 [Eb db g f~] [f~ g <G db> Eb]
=2' 2 e~b(1 4. e~)1 8 d~b
=2, 4 g a b a
=2 8 blank blank-P 2. blank
| .54 .53 .53 .58 .55 .54 .54 .56
i0.8 .01 poco rit . .
=1' 4 rest' 8 [c g] [g c] 4 rest'
=1, 1 Eb(2
I0.7 .02 mf
I0.5 .90 mp
=2' 8 rest''' 4. f~(1 4 f~)1 f~
=2, 2 bb(2-emph, 4. b)2 8 bb(1
=2 8 blank blank-P 2. blank
| .58 .55 .56 .59 .60 .57 .58 .61
i0.6 .01 molto rit . . .
=1' 4 rest' 8 [F# G] 4 G rest'
=1, vol-20 2 Eb)2(2 8 E)2 4 En 8 D(2
i0.4 .15 dim . . .
I0.4 .95 p
=2, vol-20 8 [G d a d(2] [d)2 <d a> G C]
=2' 4 b)1 2 blank 4 bb
| 3.0
=1 8 D)2
=2 vol50 2 G_ cc64=0

midi pause 2.0

7 systems 8 / 18-35-18/ 18-35-18/ 18-33-18 \
 / 18-30-18/ 18-33-18 3/ 18-32-18 5/ 18-33-18/
title Richard Strauss,  Metamorphosen    1945
pagenum
leftfoot Arranged for piano by Peter Billam
/
6 bars | 4 4 4 4 5 5 5 6 | 5 5 5 6 10 6 8 5 \
 | 4 4 4 4 5 5 5 6 | 5 5 5 8 8 8 8 5 | 14 10 10 11 | 14 10 10 11 |
| 4/4 4.0
r0.4 .01 Adagio ma non troppo
=1  treble cha0 vol85 leg105 2 G_ 4. <A_b C> 8 leg99 <G_ B_b>
I0.4    p
=2, bass   cha0 vol75 leg105 2 <B e> 4. eb 8 leg99 <d f>
|
=1'  1 E
=1,  2. A_ 8 [A_(4 C#(2]
=2' 4. c#(2-P 8 d# e(4 4. g#
=2, 1 e
i0.2 .20 aufwärts streben
|
=1  2 <A_)4 C#)2 E> 4. <B_bl Fb-emph> 8 <Cbl Eb>
=2, 2 <c#)2 e)4> 4. <dbl-* fbxl g-emph> 8 <cbll ebl gb>
|
=1 1 <Cblr Eb>
=1, 4. E_br 8 F_n [G_b B_b Cb(4 Eb(2]
=2, 1 <cbr(2-P ebl(4 gb(6>
|
il0.3 .20 5
=1 4 Gb
=1 4 <C,)4 E,)2> leg105 2 <B_bl Fb> 4 <Cbl(2 Eb(1>
=2, 4 <c)2 e)4 g)6> leg105 2 <dbll-* fbxl gnl> 4 <cbll(2 ebl(3 gb(1>
|
=1 4 <C)2 E)1> 2 <G_ Db> 4 <A_bl(2 Cb(1>
=2 4 <c,)2 e)3 g)1> 2 <Bbll  dbl' fb'> 4 <Abll(2 cbl(3 eb'(1>
/
6 bars | 48| 5 5 5 6 6 6 7 5| 44| 2 2 2 2 2 2 2 2 9 3 3 3 5 3 3 3 \
 | 5 5 5 7 6 6 6 5 | 2 2 2 2 2 2 2 2 9 3 3 3 5 3 3 3|
|
=1  2 <A_bl)2 Cb)1> 4. <G_r Eb> 8 <F_ D>
=1, 2 blank 2 A_b
=2' 2 <Ab)2 cbl)3 eb)1> 4. cn 8 dn
=2, 2 blank F
|
=1 1 <G_ C>
=1, 4. E_b 8 F_# [G_ B_ C Eb]
=2 1 <G(2 eb>
|
=1' 4 rest' G G G
=1, 2  <B_ D G>
i0.6 .30 Schicksal
=2 1 <G)2 d>
|
il0.3 .15 10
=1 2 G 16 [F 8. Eb] 16 [D 8. C]
=1, 1 <G_ C>
i0.4 .29 Trauermarsch
=2  1 <Eb c>
|
#=1 2 <A_ C> 4 <G_#l Cb> G_
=1 2 <A_ C> 8 [<G_# B_> B_ D B_]
=2' 4. c 8 eb 4 rest' gn-emph
=2, 2 F 4 F# <G B>
|
=1 2 G 16 [F 8. Eb] 16 [D 8. C]
=1, 1 <G_ C>
=2  1 <Eb c>
/
6 bars | 5 5 5 6 10 9 6 6 | 2 2 2 2 2 2 2 2 9 3 3 3 9 3 3 3 \
 | 2 2 2 2 2 2 2 2 5 3 3 3 9 3 3 2 | 5 5 5 5 6 5 5 6 \
 | 6 6 6 9 6 9 9 5 | 5 5 5 5 6 6 5 6 |
|
=1 2 Eb 8 Db 4 En 8 F
=1, 2. <A_b Cbl> 4 blank
=2' 4. db 4 ab 8 [c~b bb f]
=2, 2. F 4 <Abl dn>
|
=1' 2 Bb 16 [Ab 8. Gb] 16 [F 8. Eb]
=1, 2. <B_b Eb> 4 B_n
=2' 2. <Gb eb> 4 <Bnl f#>
|
il0.3 .09 15
=1' 2 D 16 [F# 8. E] 16 [D 8. C#]
=1, 1 A_
=2' 2. f# 4 e
=2, 1 An
|
=1' 2 C 4. B_ 8 B_b
=1, 2 G_ 4. G_# 8 F_
=2' 2 c 4. eb 8 d
=2, 2 Eb 4. Abl 8 G
|
=1' 4 rest' F# F# F#
=1, 2 C# rest,,
=2' 4. c#r 8 e# [f# a a# c~#]
=2 1 <F#r A#l>
| 3.6
i0.2 .18 Gesang   . . .
=1' 2 F#(1 8 F)1 4 D 8 C#
=1, 2 B_ A_#
=2' 2 <D B> <F# e>
/
6 bars | 22 20 | 8 8 8 9 8 7 | 11 11 13 10 \
 | 5 5 5 5 9 6 5 6 | 22 20 | 9 9 9 8 9 8 |
|
=1' 4 A_# B_ 2 B
=1, 2 blank D
=2 1 <B d f#>
|
il0.5 20
=1' 43 A G-I3 A G F#-I3 G
=1, 2 E B_
=2, 2 <e b> <d f#(1>
|
=1' 4 F# 2 E 4 F#
=1, 2 A_# 4 B_ Cnl
=2' 2. er 4 <d#l f#>
=2, 2 <c# f)1> 4 <B g> A
|
=1' 2 G(1 8 G)1 4 Eb 8 D
=1, 1 B_
=2' 2 <E e> <G f>
|
=1' 4 B_ C leg99 2 c
=1, 1 G_#
=2  leg99 1 <F f>
=2 4 blank 2. blank-P
|
=1' 43 Bb Ab-I3 Bb Ab G-I3 Ab
=1, 2 <D F> <C Eb>
=2' 2 <F-P f> <G-P eb>
/
6 bars | 11 10 10 10 | 5 5 5 5 6 5 6 6 | 3 2 3 2 3 2 3 2 9 3 3 3 6 3 3 3 \
 | 6 5 6 10 6 6 9 5 | 6 5 6 5 9 9 9 5 | 5 5 5 5 6 5 6 6 |
|
il0.3 .16 25
=1' 4 G 2 F 4 G
=1, 2. <B_ D#> 4 <C E>
=2  2. <Ab-* f'> 4 <c, bb>
| 3.3
=1' 2 <F Ab> 4. <Anl c#> 8 <G# B>
=1, 2 C E
=2, 2 <f ab> 4. <e an> 8 <d b>
|
=1' 4 B 2 A 4 B
=1, 2 <E Gn> 16 [D 8. C#] 4 rest,
=2' 4 b 2 a 16 [b 8. a]
=2, 2. c# 4 B
| 3.2
=1' 2 c#(1 8 [c)1 d e f#]
=1, 4 rest, 2. G
=2' 4. g 8 e 2 c~#
=2  1 A-P
|
=1' vol+5 4 e d c# cn
=1, 2 A 4 E <Eb Abl>
i0.5 .03 cresc .45 . . .
=2' vol+5 4 f# a rest' c~n
=2, 2 F#-P 8 [A-* c# d# f#]
|
il0.3 .25 30
=1' vol+5 2 <G Bb> 4. <Bnll d#> 8 <A#l c#>
=1, 2 D F#
=2, vol+5 2 <g bb> 4. <f#l bn> 8 <e c~#>
/
6 bars | 3 3 3 2 3 3 3 2 9 3 3 3 6 3 3 3 \
 | 6 5 6 11 6 10 10 5 | 6 5 6 5 9 6 9 5 \
 | 6 5 6 6 9 6 6 5 | 12 10 10 10 | 6 5 6 6 9 6 9 5 |
|
=1' vol+5 4 c# 2 B 4 c#
=1, 2 <F# A> 16 [E 8. D#] 4 rest,
=2' vol+5 4 c~# 2 b 16 [c~# 8. b]
=2, 2. d# 4 c#
| 3.1
=1' 2 d#(1 8 [d)1 e f# g#]
=1, 4 F# 2. A
=2' 4. a 8 f# 2 d~#
=2, 1 B-P
|
=1' vol+5 4 f# e d# dn
#=1, 4 d c# <F# B> <Fn Bbl>
=1, 4 d c# F# Fn
i0.50 cresc .33 . . .
=2' vol+5 2 e 4 b bb
=2, 4 G#-* A 8 [B d#] [f g#]
|
il0.3 .25 34
=1 vol+10 1 <E A c>
I0.4 .02 mf
=2' 1 a
=2, 4. A 8 B [c d# e a(2]
|
=1, 4 <E c> 2 <Abl db f> 4 <Bbx c eb>
=2 4 <a)2 c~> 2 <abl d~b f~> 4 <g c~ e~b>
|
=1 vol120 1 <A d(3 a(1>
I0.7 .04 f
=2' vol120 1 <a d~>
=2, 4. f#-P 8 g# [a-P c~# d~(2 f~#]
/
7 bars | 5 5 5 5 6 5 6 5 | 6 5 10 6 9 6 9 5 | 11 10 10 10 \
 | 11 10 10 10 | 6 5 6 9 6 5 6 6 | 6 5 6 10 6 10 8 5 | 9
|
=1' 2 <d)3 a)1> 4. bb-emph 8 a
=1, 2 A  4. <Bb d> 8 A
=2' 2 d~)2 d~
=2, 2 f#-P 4. g-emph, 8 f#-P
|
=1' 1 a
=1, 2 <A d> 8 [A(2 c# d(4 f#]
=2' 4 d~ 8 [e~ f~#] 2 blank
=2, 1 f#(2
=2 2.. blank 8 blank-*
|
=1, 4 <A)2 d)4 a> 2 <Bb e bb> 4 <A(2 d(3 a(1>
=2, 4 <f#)2 a d~> 2 <g-P c~# e~> 4 <f#(2-P d~(4 f~#(1> 
| 3.2
il0.4 .40 40
=1, 4 <A)2 d)3 a)1>   vol-5 2 <A c# g> vol-5 4 <A(2 d(4 fn(1>
=2, 4 <f#)2 d~)4 f~#)1> vol-5 2 <e-P a c~#> vol-5 4 <d(2-P a d~(1> 
| 3.3
=1,  vol-5 2 <A)2 d)4 f)1> vol-5 4. <c#x d a> 8 <B g#>
i0.6 .18 dim .51 . . . 
=2' 4. d~)1 8 a 4. f# 8 d
=2, 2 d)2 B-*
| 3.4
=1' vol-5 1 <c# f#>
=1, 2. A 8 rest, F#
=2' vol-5 4. rest' 8 e# [f#-P a] 4 c~#
=2, vol-5 1 c#
| 2.0
=1, vol-5 2 <G#r c#l e#>
=2, vol-5 2 <c#r-* g#l c~#>